![]() The headlines the next day talk menacingly of a split/divide/rift/fight over EU identity. There is even some embarrassed squirming. Others at the gathering hang around either nodding enthusiastically or looking a tad uncomfortable. This could be against, inter alia, LGBTIQ rights, gender equality, Jews, Muslims, Roma, Black people and/or refugees. The current worn-out EU script goes something like this: one or two of the group of EU rights-naysayers takes the floor at a summit to rant on a favourite topic. The moment calls for some strategic stinging. At least not just yet.īut tedious 'shoulda-coulda-woulda' conversations about what the EU really stands for have gone on for long enough. No one is suggesting it is time for a physical EU-wide bust-up over rights and values. ![]() ![]() Neither the Commission nor EU leaders have reacted to the Austrian government's amorphous fight against "political Islam", French president Emmanuel Macron's controversial draft 'separatism' bill, or Social Democrat-led Denmark's U-turn on Syrian refugees.This is certainly NOT the documentary that I was hoping for, and I can't imagine anyone walking out of this film feeling 100% satisfied. We hear the expressions "Float like a butterfly, sting like a bee" and "Ali, bumba yay" over and over throughout the film, and still don't know why he was such a great fighter. Yes, it is interesting, in a time-capsulelike way, to look at the old film clips from the '60s, and to see Zaire as it was 30 years ago, but this doesn't help the viewer to understand Ali the man or Ali the athlete. In addition to this glaring lack of actual boxing footage, we learn nothing of Clay's early life, what led him to become a boxer, and so on. I suppose that the rights to the actual boxing footage are tied up in legal disputes or would have required the filmmakers to shell out big bucks for their use, but the result is an incomplete portrait of this great athlete, at best. I can't tell you how disappointed I was at this. Then it's fight time, and again-despite the fact that we see actual footage of the guys going into and leaving the ring-not a single frame of actual boxing! Only a few stills of the fight. This second part of the film is in beautiful color, and takes place in Zaire, right before Ali's comeback fight with George Foreman the legendary "Rumble in the Jungle." Again, we see all the hoopla and buildup we see the fighters meeting the Zairean president, Seko we see the people of Zaire dancing and singing and discussing their favorites. But when it comes to the main events.nada! This is a documentary about one of the world's most legendary living boxers.and contains not a single moment of actual boxing! Not one! Part two of the film takes place 10 years later, after Ali had been stripped of his title for refusing to fight in the Vietnam War. It all builds suspensefully toward the big fights. We see all the hullabaloo surrounding the bouts, we see the weigh-ins and the trash talking that Clay used to be famous for we see Clay goofin' around with the Fab 4, we are shown a drama class talking about Clay in a Harlem school, and on and on. It deals with the buildup and followup to Ali's (then Cassius Clay's) title bouts with Sonny Liston the first in Florida, the second in Maine. The first was filmed in 1964 and '65 and is in black and white. Before explaining why, let me first say that the film is divided into two sections. Although I DID learn a great deal about this legendary sports figure from watching the film, I must say that I walked out of the theatre feeling extremely disappointed. I just happened to see this film last night at NYC's great movie revival house, Film Forum, where a brand-new 35mm print has been unreeling for the past few weeks.
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